Gottfried VON DER GOLTZ, concertmaster
Kristian BEZUIDENHOUT, fortepiano


Simfonia núm. 29 en la major K. 201 (1774)
W. A. Mozart (1756-1791)

I. Allegro moderato
II. Andante
III. Menuetto: Allegretto
IV. Trio
V. Allegro con spirito

Concert per a piano núm. 17 en sol major K. 453 (1784)
W. A. Mozart (1756-1791)

I. Allegro
II. Andante
III. Allegretto


Simfonia en sol menor op. 6 No. 6 W.C. 12 (1770)
J. C. Bach (1735-1782)

I. Allegro
II. Andante più tosto adagio
III. Allegro molto

Concert per a piano núm. 9 en mi bemoll major «Jenamy»* K. 271 (1777)
W. A. Mozart (1756-1791)

I. Allegro
II. Andantino
III. Rondeau. Presto

*Sovint anomenat concert «Jeunehomme», tot i que va ser escrit per a Victoire Jenamy (transcrit Jeunehomme per error ortogràfic), una pianista que visitava Salzburg en aquella època

Freiburger Barockchester

Passion, joy of playing, authenticity – these are the musical cornerstones of the Freiburg Baroque Orchestra (FBO). For more than three decades, the FBO has been one of the world’s leading original sound ensembles, performing over 100 concerts a year in Germany and abroad.

The orchestra was founded by a group of graduates of the Freiburg University of Music with the aim of performing historically informed music of the Baroque and Classical periods. historically informed. International engagements soon followed and the FBO quickly advanced to become one of the most one of the most sought-after ensembles on the early music scene. This success is due to more than 130 recordings, some of them award-winning.

In addition to its own subscription series in Freiburg, Stuttgart and Berlin, the FBO performs in the world’s leading concert halls, including the Lincoln Center New York, the Elbphilharmonie, the Musikverein Vienna and the Philharmonie de Paris. The FBO is also a popular guest at international festivals such as the Salzburg Festival, the Rheingau Music Festival and the Gstaad Menuhin Festival.

Musical responsibility for the orchestra lies with Cecilia Bernardini and Gottfried von der Goltz, who lead the ensemble from the violin. In the spirit of historically informed performance practice, the FBO usually performs without a conductor. For selected programs, e.g. for opera productions or romantic symphonies, the orchestra works with renowned conductors such as Pablo Heras-Casado, René Jacobs and Sir Simon Rattle. The FBO has close musical friendships with Kristian Bezuidenhout, Isabelle Faust, Dorothee Mields, Vox Luminis, the Zürcher Sing-Akademie and the RIAS Kammerchor Berlin.

In the 2023/24 season, the orchestra will once again showcase its wide stylistic range. It will perform Charpentier’s Medée under Sir Simon Rattle at the Staatsoper Unter den Linden in Berlin, Bach’s St. Matthew Passion with Philippe Jaroussky in France, Spain and Korea and works by Mendelssohn and Brahms at the Leipzig Bach Festival together with the Gaechinger Cantorey and Hans-Christoph Rademann.

Kristian Bezuindehout

Kristian Bezuidenhout is one of today´s most notable and exciting keyboard artists, equally at home on the fortepiano, harpsichord, and modern piano.

He is Artistic Director of the Freiburger Barockorchester and Principal Guest Director with the English Concert. He is a regular guest with the world´s leading ensembles including Les Arts Florissants, Orchestra of the Age of Enlightenment, orchestre des Champs Elysées, Koninklijk Concertgebouworkest, Chicago Symphony Orchestra & the Leipzig Gewandhausorchester; and has guest – directed (from the keyboard) the Orchestra of the Eighteenth Century, Tafelmusik, Collegium Vocale, Juilliard 415, Kammerakademie Potsdam and Dunedin Consort.

He has performed with celebrated artists including John Eliot Gardiner, Philippe Herreweghe, Frans Brüggen, Trevor Pinnock, Giovanni Antonini, Jean-Guihen Queyras, Isabelle Faust, Alina Ibragimova, Rachel Podger, Carolyn Sampson, Anne Sofie von Otter, Mark Padmore & Matthias Goerne.

Kristian´s rich and award-winning discography on Harmonia Mundi includes the complete keyboard music of Mozart (Diapason d´Or de L´année, Preis der Deutschen Schallplattenkritik & Caecilia Prize); Mozart Violin Sonatas with Petra Müllejans; Mendelssohn and Mozart Piano Concertos with the Freiburger Barockorchester (ECHO Klassik); Beethoven & Mozart Lieder, and Schumann Dichterliebe with Mark Padmore (Edison Award). In 2013 he was nominated as Gramophone Magazine´s Artist of the Year and was awarded the «Wiener Flötenuhr» by the Mozartgemeinde Wien in 2019 for his recordings of Mozart´s keyboard music.

Recent releases include Winterreisse with Mark Padmore, Bach sonatas for violin and harpsichord with Isabelle Faust, a recording of Haydn piano sonatas and Beethoven´s piano concertos with the Freiburger Barockorchester and Pablo Herás-Casado.


Festival de Pollença’s Office

Convent de Sant Domingo

C. Pere J. Cànaves Salas, s/n

(+34) 674 935 302


Office hours

Monday to Friday, from 9 to 14 h

Same day of each concert, from 20.30 to 22 h